Posts Tagged With: Combat Cameraman

The Image Maker

val c pope one of first combat cameramen to land at Normandy seen in france june 44651 8x10Val C. Pope served with a U.S. Army Signal Corps company during World War II. He was one of the first combat cameramen to make it ashore on D-Day. He landed on Omaha Beach with still photographer Walter Rosenblum sometime during the morning of June 6th. Armed only with a movie camera, Val and Walter set about capturing the chaos on Omaha as it unfolded around them. One of the most gripping movie clips Val shot that survived the landing was the rescue of several drowning GI’s. Their landing craft was hit and sinking, and as they ended up in the water floundering, a young lieutenant saw their plight from shore. He grabbed a cast away life raft, jumped into the surf and swam out to them. Val’s footage shows the men being helped ashore.omaha beach 1157

For the next several days, Val remained right in the thick of the fighting, filming some of the iconic scenes of the early days of the invasion. While walking past a couple of buildings in search of a Red Cross aid station, he was ambushed by a German machine gun team. Hit in the head, he fell back unconscious as a fellow combat camerman dove for cover. A few minutes later, a group of GI’s rushed out and pulled Val out of the line of fire. He died as medics worked furiously to save his life.

Today, as we remember the June 6th landings, let us not forget those who carried cameras instead of guns, whose images have become a timeless–and priceless–part of our national heritage. Without them and their selfless spirit to capture history as it unfolded, future generations would have had no window into those momentous events in 1944.omaha beach dday first wave going ashore iii212

 

 

 

Categories: ETO, European Theater of Operations, War in Europe, World War II, World War II Europe, World War II in Europe | Tags: , , , , , , , | 1 Comment

The Supply NCO Artist

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Task Force Brawler was full of interesting and dynamic characters.  From Brawler Six to men like Andrew Alvord—the unit’s fighting quartermaster—to Cassie Moore (the unit’s only female Apache pilot) and C-17-flight-engineer- turned- Blackhawk-pilot Hunter Lescoe, this unique aviation task force marched to a different beat thanks to is remarkably diverse and talented members.

Sergeant Scott Tant, an Arkansas native, ranks as one of the most unique individuals I met at FOB Shank. Scott is a supply NCO who has a passion for photography.  Lieutenant Colonel Ault recognized that talent and gave Sergeant Tant Task Force Brawler’s  Public Affairs Office.  For a year, Scott essentially served as one-man operation to document TF Brawler’s operations in theater. IMG_1329

Scott went out on dozens of missions with the Ground Combat Platoon. I was amazed at Scott’s attention to detail.  His mind was a catalog of all things normal or abnormal in each village we visited. His eye for detail caught things that I never would have noticed—a few carved letters in a door, a new paint job on a building, the nuances that certain known leaders displayed as they interacted with Lt. Mace (Brawler’s S9) or Captain Alvord (PL for the GCP). Nothing escaped Scott’s eye. At one point, I told him he’s got a career waiting for him as a Pinkerton Private Eye.

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His photographs  reflect that attention to detail. Years ago, I collected about 40,000 photographs from World War II, including vast numbers taken by US Army Signal Corps cameramen. It is easy to distinguish those photographers who loved their craft from those who simply considered it a wartime job and nothing more. Scott transcended both extremes this past year in Afghanistan. He is an artist in uniform, and his photographs rank as some of the best I’ve ever seen emerge from a combat theater, and several of his photos have won awards. Those are considered to be some of the best images of Army Aviation ever taken during the war in Afghanistan.
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One thing I noticed within TF Brawler is a sense of humbleness. It started at the top with Brawler Six, whose modesty and discomfort in the media spotlight was a refreshing change from some of the things I’ve experienced since I swiched to writing about current military affairs. There was no “me too” in Brawler Nation, just a quiet pride in the entire task force’s accomplishments.

Scott Tant reflected that sense of humility. In his tiny office across from the XO’s, he created an archive of photographs that document the task force’s year in Afghanistan better than almost anything I’ve ever seen for a unit in the Global War on Terror. His artistic eye, his skill with his equipment (even if he is a Nikon guy), and his love of the craft ensured that every image tells a unique and powerful story. Someday, I hope to see his work in print; our nation needs to see the war through Scott’s eyes.

 

Photo below by Sgt. Scott Tant

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Categories: Afghanistan, American Warriors | Tags: , , , , , , , , , , | 1 Comment

The Last Photographs

During the final months of the Pacific War, MacArthur tasked the Eighth Army under Lt. General Robert Eichelberger with liberating the Central Philippines. The 40th Infantry Division, a National Guard unit from California, Nevada and Utah, played a key role in this all but forgotten campaign. In March 1945, the “Sunshine Division” landed on Panay, encountering stiff resistance in places during a ten day battle to clear the island.

 

On the first day of the landing, March 18th, two Signal Corps photographers followed an infantry company from the 185th Infantry Regiment ashore to photograph the fighting and their advance. A company of M4 Sherman tanks spearheaded the push into Panay’s jungle interior, and the men of Alpha Company, 1st Battalion, 185th Infantry followed cautiously behind. The photographers, Lt. Robert Fields and T/5 Howard Klawitter, ignored Japanese incoming machine gun and light artillery fire and stayed right with the GI’s of Alpha Company, snapping photos as they dashed forward with them.

As the combined force pushed up along a dirt road, they encountered heavy resistance and Alpha Company took cover behind the tanks. The Shermans blasted away at the Japanese defenders while Fields and Klawitter, standing a few yards apart, snapped pictures of the firefight.

Both photographers went down within minutes of each other. Fields was killed and Klawitter wounded. These two photos are the last ones they took.

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Howard Klawitter’s final photo before he was wounded in action while attached to Alpha Company, 185 Infantry, 40th Infantry Division, California National Guard.

 

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This is the last photo taken by Signal Corps photographer Lt. Robert Fields. We was killed by incoming Japanese fire moments later. His camera was recovered and the film developed. He’d snapped four photos on the roll before his death while chronicling Alpha Company, 1st Battalion, 185th Infantry.

 

 

Categories: World War II in the Pacific | Tags: , , , , , , , , , , , , , , , , , , | Leave a comment

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